威廉·莫里斯图案艺术研究-艺术学专业论文.docx

4.2 彩绘玻璃中的图案····················································································································· 344.3 书籍装帧中的图案····················································································································· 365、威廉·莫里斯图案艺术对当今设计的启示·······················································································395.1 威廉·莫里斯图案中的自然主义对当今设计的启示······························································395.2 威廉·莫里斯图案对整体性设计的启示··················································································405.2.1 图案设计应服从产品的功能............................................................................................. 405.2.2 图案设计应与周围环境相协调......................................................................................... 415.3 威廉·莫里斯的图案设计对传统手工艺的启示······································································425.4 结语············································································································································44参考文献······················································································································································· VI后记····················································································································································VIII1、绪论1.1选题的缘由选择现代设计史开端的重要代表人物威廉·莫里斯作为研究对象，以其装饰图案为切入点，主要有三个原因：第一、威廉·莫里斯图案设计面对工业文明寻求了新的装饰风格，采用自然主义的手法传递着真实的美，特色鲜明，具有代表性。第二、威廉·莫里斯的思想及实践主要在于美化生活,提倡既实用又美的设计,对现代图案设计的是具有启示性的。第三、威廉·莫里斯的图案设计与今天拥挤、喧嚣的环境形成鲜明对比，能带给人心灵的宁静。在科学技术和工业高速发展的影响下，公害、资源的枯竭等诸多问题至今未能得到合理而科学地解决，威廉·莫里斯的图案设计是有前瞻性和预见性的。1.2研究的目的和意义研究的目的：本论文希望通过对威廉·莫里斯装饰图案设计的个案研究，在其装饰纹样领域取得的成就进行具体的分析，进而对莫里斯图案的色彩和组织形式方面做一些积极的探索，力图全面的反映威廉·莫里斯的艺术成就。研究的意义：威廉·莫里斯作为“现代设计之父”对于现代设计的发展影响深远，这不仅体现在设计思想方面还充分表现在装饰图案领域的成就，图案设计是莫里斯全部艺术创作中的最为重要的组成部分，通过莫里斯留于后世的众多设计手稿我们就可以体会出，莫里斯的毕生都在实践着设计革命与设计创作，它们已经沉淀为设计历史上的浓重的一笔。直到今天，这些作品对设计实践有着重要的指导意义。莫里斯提出的为大众服务、强调人性化的艺术、艺术与技术的统一、主张从观察自然中获得灵感，即“