2017公共英语五级考试阅读快速提分练习[权威资料].docVIP

2017公共英语五级考试阅读快速提分练习 本文档格式为WORD,感谢你的阅读。 必威体育精装版最全的 学术论文 期刊文献 年终总结 年终报告 工作总结 个人总结 述职报告 实习报告 单位总结 演讲稿 2017公共英语五级考试阅读快速提分练习 　　Live well, love lots, and laugh often.以下是有哪些信誉好的足球投注网站整理的2017公共英语五级阅读快速提分练习，希望能给大家带来帮助!更多精彩内容请及时关注我们应届毕业生! 　　Photography and Art 　　The earliest controversies about the relationship between photography and art centered on whether photograph’s fidelity to appearances and dependence on a machine allowed it to be a fine art as distinct from merely a practical art. Throughout the nineteenth century, the defence of photography was identical with the struggle to establish it as a fine art. Against the charge that photography was a soulless, mechanical copying of reality, photographers asserted that it was instead a privileged way of seeing, a revolt against commonplace vision, and no less worthy an art than painting. 　　Ironically, now that photography is securely established as a fine art, many photographers find it pretentious or irrelevant to label it as such. Serious photographers variously claim to be finding, recording, impartially observing, witnessing events, exploring themselves-anything but making works of art. They are no longer willing to debate whether photography is or is not a fine art, except to proclaim that their own work is not involved with art. It shows the extent to which they simply take for granted the concept of art imposed by the triumph of Modernism: the better the art, the more subversive it is of the traditional aims of art. 　　Photographers’ disclaimers of any interest in making art tell us more about the harried status of the contemporary notion of art than about whether photography is or is not art. For example, those photographers who suppose that, by taking pictures, they are getting away from the pretensions of art as exemplified by painting remind us of those Abstract Expressionist painters who imagined they were getting away from the intellectual austerity of classical Modernist painting by concentrating on the physical act