埃乃斯库《第一罗马尼亚交响狂想曲》民族主义风格分析-an analysis of the nationalist style of george enescus first romanian symphonic rhapsody.docx

本文以埃乃斯库的《第一罗马尼亚交响狂想曲》为研究对象，将该作品的民族化创作特征同埃乃斯库所处的时代背景、生活条件以及个人经历相联系，总结 出影响《第一罗马尼亚交响狂想曲》民族主义风格的重要因素；又运用音乐本体 分析的方法，结合民族音乐学，对作品中体现的罗马尼亚民族主义风格进行分析 和总结。全文主体由引言、三章和结语组成。 引言部分从课题研究的目的与意义、国内外研究现状和研究方法与思路三个方面展开论述。对已有的国内外史实资料进行综述，并阐述该课题研究的价值与 意义以及笔者对本文研究的创作方法与思路阐述。第一章主要包括埃乃斯库人生经历、创作阶段的分期及作品《第一罗马尼亚 交响狂想曲》的概况，通过对作曲家生平、创作阶段及其作品的基本认知，力求 对作品进行准确的剖析。第二章是对埃乃斯库《第一罗马尼亚交响狂想曲》民族化风格特征的分析阐 述，主要就旋律、节奏、管弦乐配置、表演艺术特征、绚丽多彩的音乐主题五个 方面对交响狂想曲进行音乐本体的分析，从而认识了解到作曲家是如何组织乐曲 来展现罗马尼亚民族独特的民族主义风格的。第三章分析了影响《第一罗马尼亚交响狂想曲》民族主义风格的因素，并且 将这些因素分为历史背景、文化背景、音乐背景和生活环境四个方面进行了详细 地叙述。通过对历史、文化、音乐、生活环境因素的简要分析，达到对《第一罗 马尼亚交响狂想曲》民族风格创作背景全方位的认知。结语基于前三章的论述内容对《第一罗马尼亚交响狂想曲》体现的民族主义 音乐风格进行总结性阐述。 关键词：埃乃斯库；“民族主义风格”特征；《第一罗马尼亚交响狂想曲》；IIAbstractGeorge Enescu (1881--1955), is the Romania in the early twentieth Centurys famous national musician. Speaking of Enescu he was known to the public is the identity of the early twentieth Century world outstanding violin virtuoso, but his true identity was much more music. He set the composition, violin, piano, music education, in command of the five kind of identity in a body, is the European music called the music industry a new round of the sun. In the world music history, we discover not hard, in the long river of history there are many versatile genius musicians, but like George Enescu as musicians are less and less. Because he has made remarkable achievements in many fields, which is very rare in the history of world music.Enescu has an important position in the history of Romania music, he is like the ancient Rome two the God of the sun, side towards the past, side towards the future. Although his works are rooted in Romania traditional folk music, but in the traditional musical material arranging process organization is the use of Western creation technique and concept. His unique writing techniques, for the development of Romania ethnic music, like a sun lit up the Romania folk music in twentieth Century the new development road. His works are full of Romania style, especially in 1901 the c