钢琴伴唱《红灯记》研究-音乐学专业论文.docxVIP

聊城大学硕士学位论文 ii ABSTRACT In the late 19th century early 20th century, the piano from the west arrived in China, paino palys an important role in the development of Chinese music . Modern Chinese piano accompany The Red Lantern is a revolution to opera is based on the content of The Red Lantern, adapted from the fusion of the western chamber music and Chinese opera style of piano works. This work has received recognition when the central leading group for the cultural revolution, reverse the fate of the piano, curve save piano is implemented. On creation, although the work is more of using western composing techniques and art form, but it is the authentic Chinese flavor to achieve and Chinese culture interest, and successfully realized the piano and the first successful docking of Peking Opera, comply with the demand of the cultural revolution period of peoples aesthetic and political trend, in the special historical to create a new art form, in the 21st century today is still widely read and loved by people, for the development of Chinese piano, music nationalization process, and the fusion of Chinese and western music culture has an indelible contribution. Piano accompaniment The Red Lantern will be the art of ancient Chinese opera, and from the performance of the subject matter to form, have made bold breakthrough and innovation, especially prominent is singing and accompaniment music. On the singing, in the form of specialized song to represent the characters, on the accompaniment, using a piano instead of the band, change traditional audio-visual effect, it may be said is unprecedented, after, opened up a precedent. This article from the perspective of music ontology, to the piano accompany the singing, piano accompaniment of the journal The Red Lantern, percussion band is analyzed, and further discusses the artistic features and aesthetic value of the works, standing on the shoulders of our predecessors, on all aspects, multiple perspectives to analyze the work,