赣胡伴奏艺术之研究-音乐学专业论文.docxVIP

 PAGE 4 In the third chapter GanJu presided instruments gan hus accompaniment art: this chapter to GanJu music as a foundation, analyzed the jianxi hu you have to play in the program came singing characteristic; For foil singing melody, with homophones with cavity give priority to, with a vision of auxiliary accompaniment of technique, make the jianxi hus accompaniment melody and rhythm of the song produced crisscross fusion, highlighted the singing and accompaniment integral sex; At the same time, gan hu and other music played in looking in singing as between the prelude, play and the role of the tail plays also nots allow to ignore to accompany characteristics. The fourth chapter GanJu presided instruments gan hus art development: this chapter in jiangxi analyzed the current situation of the development of art hu the existing problems, and puts forward the solution and the prospect is predicted. Key words: GanJu; Gan hu; Structure; Accompaniment technique; Gan hu development  目 录 中文摘要…………………………………………………………………………… Ⅰ 英文摘要…………………………………………………………………………… Ⅱ 目 录…………………………………………………………………………… Ⅲ 引 言………………………………………………………………………………1 1 赣剧的渊源及其音乐的构成………………………………………………………4 1.1 赣剧的源起和发展……………………………………………………………4 1.2 赣剧音乐的构成与艺术特征…………………………………………………6 1.2.1 赣剧音乐中的唱腔……………………………………………………6 1.2.2 赣剧音乐中的乐队…………………………………………………… 9 2 主奏乐器赣胡的演奏艺术……………………………………………………… 10 2.1 主奏乐器胡琴的兴起与演奏特点 …………………………………………10 2.1.1 主奏乐器胡琴的兴起…………………………………………………10 2.1.2 主奏乐器胡琴的演奏特点……………………………………………12 2.2 主奏乐器赣胡的构造与演奏技法………………………………………… 13 2.2.1 主奏乐器赣胡的构造…………………………………………………13 2.2.2 主奏乐器赣胡的演奏技法……………………………………………13 3 主奏乐器赣胡的伴奏艺术……………………………………………………… 16 3.1 主奏乐器赣胡在过门音乐中的运用 ………………………………………16 3.1.1 引导过门………………………………………………………………17 3.1.2 衔接过门………………………………………………………………19 3.1.3 结尾过门………………………………………………………………23 3.2 主奏乐器赣胡在唱腔音乐中的运用………………………………………25 3.2.1 赣胡在唱腔中的伴奏手法……………………………………………25 3.2.2 赣胡在不同行当中的伴奏特点………………………………………30 3.3 主奏乐器赣胡在胡琴曲牌音乐中的运用 …………………………………31 3.4 主奏乐器赣胡在新编剧目音乐中的运用……………………………………33 4 主奏乐器赣胡的艺术发展…………………………………………………