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III.
THE COMING OF THE VALAR
AND THE BUILDING OF
VALINOR.
As I have already noticed, the next tale is linked to The Music
of the Ainur without narrative break; and it has no title in the
text. It is contained in three separate books (the Lost Tales
werewritten in the most bewildering fashion, with sections
from different tales interleaved with each other); and on the
cover of the book that has the opening section, following on
The Music of the Ainur, is written: containeth also the Com-
ing of the Valar and beginneth the Building of Valinor. The
text is in ink, written over an erased pencil manuscript.
Then when Rumil finished and fell silent Eriol said after
a pause: Great are these tidings and very new and strange
in my ears, yet doth it seem that most whereof you have yet
told happened outside this world, whereas if I know now
wherefrom comes its life and motion and the ultimate devis-
ing of its history, I would still hear many things of the earliest
deeds within its borders; of the labours of the Valar I would
know, and the great beings of most ancient days. Whereof,
tell me, are the Sun or the Moon or the Stars, and how came
their courses and their stations? Nay more -- whence are the
continents of the earth, the Outer Lands, the great seas, and
the Magic Isles? Even of the Eldar and their arising and of
the coming of Men I would listen to your tales of wisdom
and wonder.
Then answered Rumil: Nay, but your questions are nigh
as long and wordy as my tales -- and the thirst of your cu-
riosity would dry a well deeper than even my lore, an I let
you drink and come again unstinted to your liking. Indeed
63
you know not what you ask nor the length and complexity of
the stories you would hear. Behold, the sun is well above the
roofs and this is no hour of the day for the telling of tales.
Rather is it time already, and something more, for the break-
ing of the fast. With these words Rumil went down that lane
of hazels, and passing a space of sunlight entered the hou
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