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file:///G|/Program%20Files/eMule/Incoming/Ted%20Chiang%20-%2072ltrs.htm
Seventy-Two Letters
by Ted Chiang
Originally published in Vanishing Acts, ed. Ellen Datlow.
Published in hardcover by Tor Books, July 2000; trade paperback, July 2001.
Copyright 2000 by Ted Chiang. All rights reserved. Reprinted by permission.
When he was a child, Robert’s favorite toy was a simple one, a clay doll that could do
nothing but walk forward. While his parents entertained their guests in the garden outside,
discussing Victoria’s ascension to the throne or the Chartist reforms, Robert would follow
the doll as it marched down the corridors of the family home, turning it around corners or
back where it came from. The doll didn’t obey commands or exhibit any sense at all; if it
met a wall, the diminutive clay figure would keep marching until it gradually mashed its
arms and legs into misshapen flippers. Sometimes Robert would let it do that, strictly for
his own amusement. Once the doll’s limbs were thoroughly distorted, he’d pick the toy up
and pull the name out, stopping its motion in mid-stride. Then he’d knead the body back
into a smooth lump, flatten it out into a plank, and cut out a different figure: a body with
one leg crooked, or longer than the other. He would stick the name back into it, and the
doll would promptly topple over and push itself around in a little circle.
It wasn’t the sculpting that Robert enjoyed; it was mapping out the limits of the name. He
liked to see how much variation he could impart to the body before the name could no
longer animate it. To save time with the sculpting, he rarely added decorative details; he
refined the bodies only as was needed to test the name.
Another of his dolls walked on four legs. The body was a nice one, a finely detailed
porcelain horse, but Rober
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