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IV.
THE CHAINING OF MELKO.
Following the end of Rumils tale of The Coming of the Valar
and the Building of Valinor there is a long interlude before the
next one, though the manuscript continues without even in-
terrupting the paragraph. But on the cover of the notebook
The Chaining of Melko is given as a separate title, and I have
adopted this. The text continues in ink over an erased pencil
manuscript.
That night Eriol heard again in his sleep the music that had
so moved him on the first night; and the next morning he went
again into the gardens early. There he met Vaire, and she
called him Eriol: that was the first making and uttering of
that name. Eriol told Vaire of the dream-musics he had
heard, and she said that it was no dream-music, but rather the
flute of Timpinen, whom those Gnomes Rumil and Little-
heart and others of my house call Tinfang. She told him that
the children called him Tinfang Warble; and that he played
and danced in summer dusks for joy of the first stars: at every
note a new one sparkles forth and glisters. The Noldoli say
that they come out too soon if Tinfang Warble plays, and they
love him, and the children will watch often from the windows
lest he tread the shadowy lawns unseen. She told Eriol that
he was shier than a fawn -- swift to hide and dart away as
any vole: a footstep on a twig and he is away, and his fluting
will come mocking from afar.
And a marvel of wizardry liveth in that fluting, said Er-
iol, if that it be indeed which I have heard now for two nights
here.
There be none, said Vaire, not even of the Solosimpi,
who can rival him therein, albeit those same pipers claim
him as their kin; yet tis said everywhere that this quaint spirit
is neither wholly of the Valar nor of the Eldar, but is half a
fay of the woods and dells, one of the great companies of the
children of Palurien, and half a Gnome or a Shoreland Piper.
Howso that be he is a wondrous wise and strange creature,
and he fared hither away with the Eldar long ago, m
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