（毕业论文）论曹禺前期剧作的女性意识——以《雷雨》《日出》《原野》的女性形象为中心.doc

摘 要 我国杰出的戏剧家曹禺在前期作品中成功塑造出了一系列生动鲜明的女性形象，这些女性曾遭受着各种形式的精神摧残和肉体摧残，与此同时我们也在她们对各种摧残的反抗中看到了中国女性意识逐渐觉醒的进程，这与作家所具有的独特女性意识密切联系。论文将从三个层面展开论析：第一部分着力分析曹禺早期剧作中蘩漪、陈白露、花金子等人物的形象特征及其意义，为探究曹禺剧作的女性意识提供依据；第二部分主要从自由意识与逃离意识两个方面分析曹禺剧作的女性意识特征；第三部分从作家的女性观、个人经历、文学观等三个方面探究曹禺前期剧作中女性意识的成因，并在一定程度上呈现曹禺剧作的经典意义。 关键词：曹禺；女性形象；女性意识 Abstract Cao Yu of our country distinguished dramatist in the early works successfully created a series of vivid images of women, these women had suffered from various forms of mental torture and physical abuse, at the same time we also in their various destruction resistance in China saw a female consciousness awakening process, this unique female consciousness and writer with the close contact. This paper will start from three aspects: the first part focuses on the analysis of the characters in Cao Yus early plays Fan Yi and Chen Bailu, took the gold and its significance, provide the basis for the study of Cao Yus female consciousness; the two part mainly from second aspects which include the consciousness of freedom and consciousness of female consciousness from analysis of the characteristics of Cao Yus plays in three; on the female consciousness in Cao Yus earlier works the third part from the writers view of women, personal experiences, literary view, and presents Cao Yus classic significance in a certain extent. Key words: Cao Yu； Female image； Female consciousness 目 录 TOC \o 1-3 \h \z \u HYPERLINK \l _Toc418084859 引言 PAGEREF _Toc418084859 \h 1 HYPERLINK \l _Toc418084860 一、曹禺剧作的女性形象分析 PAGEREF _Toc418084860 \h 1 HYPERLINK \l _Toc418084861 （一）周蘩漪：反抗家庭为爱而疯狂的女性 PAGEREF _Toc418084861 \h 1 HYPERLINK \l _Toc418084862 1.敢爱敢恨 PAGEREF _Toc418084862 \h 1 HYPERLINK \l _Toc418084863 2.为爱而疯 PAGEREF _Toc418084863 \h 3 HYPERLINK \l _Toc418084864 （二）陈白露：企图冲出鸟笼的金丝雀 PAGEREF _Toc418084864 \h 4 HYPERLINK \l _Toc418084865 1.向往自由的“金丝雀” PAGEREF _Toc418084865 \h 4 HYPERLINK \l _Toc418084866 2.睡去的“金丝雀” PAGEREF _Toc418084866 \h 5 HYPERLINK \l _Toc418084867 （三）花金子：原野上的精灵 PAG