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The Relationship of the Original and the Translated from the Perspective of Deconstruction By Zhangfengmei contents The meaning and creativity of the research paper The structure of the paper Introduction of deconstruction The definition of deconstruction Deconstruction and translation The analysis of Specific text from the angle of deconstruction conclusion The meaning and creativity of the paper Deconstruction, as its name shows, deconstruct the existed before from a new and different horizon. Emerged from the cultural turn, deconstruction developed in a rapid and various trend in recent years. Though not an agreement on this topic, there is a common ground to base. Linshu’s translation works once were regarded as some false translation or distorted translation for it left many details out and changed a lot which are against the principle of translation[ faithfulness]. From the view of deconstruction, Linshu’s translation is unique and characteristic of specific and concrete culture and context. Thus, many existed translated works and classics can reviewed and appreciated from a original perspective. The theoretical base of deconstruction 1.As a thought to subvert the tradition, Nietzsches Philosophy is one of the ideological origins of deconstruction. (God is dead and called for reevaluation of all values. ] 2.Heideggers phenomenology. 3.The European leftist critical theory inspire and nourish the deconstruction movement. The definition of deconstruction Deconstructionism, also called post-structuralism or post-modernism, is a revolt against of structuralism. Given by French philosopher Jacques Derrida, deconstruction is an approach or a technique for reading whether in philosophy, literary analysis, translation or in other fields. [Derridar bases his theory of deconstruction on non-identity, on non-presence, on unrepresentability. ] Critical theories and strategies of these conceptions include: anti-logos-centrism(anti-logocentrism), Difference (différa
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