李健吾文学批评研究-文艺学专业论文.docxVIP

ABSTRACTContent： ABSTRACT Content： On the history of modern Chinese literary criticism，Li Jianwu was a distinctive critic．He mainly studied the impressionism criticism and absorbed the quintessence of ancient Chinese literary criticism and established his criticism system．His criticism model．evaluating writers according to their writings，underlay the dissertation on aesthetic human砂，by which the critic arialysed writings and discovered writers’personalities．Actuallyhe strived for the meeting of two spirits．Consequently,criticism is essentially identification．However,the critic held on to his own views when his opinions and writers’were inconsistent．For this reason，a text was open to various interpretations and an inkling of hermeneutic can be seen．Moreover,Li Jianwu laid particular stress on appreciation and his commentaries were the result of exploring and creating beauties．But，as a beneficial remedy of his criticism character,Li Jianwu always resorted to picking holes ofwritings．As a whole．Li Jianwu’S literary criticism was a successful case which was of great modern significance．Being under the circumstance of the association of various literary theories，he achieved mastery throu【gh a comprehensive study of Chinese and foreign literary theories．In addition，a modern spirit of communication and dialclgism can be found in his criticism practice，which will contribute undoubtedly to the establishment and development of modern Chinese literary theory． Keywords：Li Jianwu，literary criticism，impressionism criticism， communication and dialogism 2003届硕士研究生毕业论文绪 2003届硕士研究生毕业论文 绪 论 李健吾是中国现代文学批评史上一位颇具特色的批评家，也是活跃在上个世 纪三、四十年代文坛上的京派作家之一。他又是中国老一辈的戏剧家，写过大量 剧本并对戏剧理论有精深的研究。翻译方面，成就卓著，译有《福楼拜短篇小说 集》、《包法利夫人》、《巴尔扎克论文集》、《莫里哀戏剧集》八册、《高尔基戏剧 集》七册、《契诃夫独幕剧集》、《莫里哀喜剧全集》四册等。同时，他又是法国 文学研究专家，洋洋巨著《福楼拜评传》是他在这方面的力作。文学批评不算是 他的主业，但也是成绩斐然。三、四十年代，他以刘西渭为笔名写出了许多精辟 洒脱的评论文章，中国现代文学史上几乎所有的名家他都有精当的评述。这些文 章后来收入《咀华集》、《咀华二集》两书。 前人对于李健吾文学批评的研究较早的有欧阳文辅，他在1937年5月11日 《光明》半月刊第2卷第11期发表评论文章《略评刘西渭先生的(咀华集)一 ～印象主义的文艺批评》，对李健