传统图像的语义模式——滩头年画研究.docx

摘 摘 要 滩头年画是湖南省惟一的手工木版水印年画，以浓郁的楚南地方特色， 自成一派，有“中国民间美术一绝”之美誉。它具有深厚的民俗文化背景 和浓郁的乡土文化特色，其中包含了诸多具有吉祥寓意的传统视觉语言符 号，具有独特以及多样化的语义模式和深厚的文化内涵。目前，滩头年画 引起了国内外美术界和民俗艺术界众多专家与学者的关注。从现有的相关 著作和资料来看，专家学者们多是从美术学、民俗学、历史学、社会学、 文化学等方面，对滩头年画进行归类、分析和整理。本文正是在吸收这些 已有的研究成果基础上，尝试从一个新的切入点，即从滩头年画的图像本 体研究的角度出发，运用以潘诺夫斯基为代表的图像学分析方法来进行解 析。通过对滩头年画的前图像志描述、滩头年画的图像志分析以及滩头年 画的图像学阐释来揭示其图像与语义的生成机制与模式，通过由形到意， 由符号到语义的关联与比较的方法来对滩头年画这一传统图像进行解释。 找到滩头年画图形设计的手法，色彩配置的特色以及图式语义的类型等， 最终探寻图像的象征意义。最后通过对滩头年画这一传统图像的语义研究， 充分挖掘其价值，从而提高公众对滩头年画这一传统民间艺术奇葩的关注 度和文化认同感，把传统民族文化精神和时代精神结合起来，寻找具有现 代意义的切入点，激活滩头年画这一古老的历史文化形态，并最终促成传 统的艺术资源向现代设计价值的转化。 关键词：滩头年画图像学现代设计 ABSTRACTTantou ABSTRACT Tantou New Year painting is the sole handmade xylograph with watermark in all New Year paintings of Hunan．It’S characterized by strong local culture and won the prize of Chinese folk stunt．With the deep background of ancient folk custom and countryside feature， Tantou New Year painting embodies a lot of lucky visual lansigns which can be translated by multi—semantic modes and aroses infinite culture reflection．Nowadays Tantou New Year painting draws the wide attention of artists and folk experts all over the world．They have done many researches，and classified，analysed this unique cultural heritage based on the science of fine arts，folklore，sociology， history。 and culture etc．This dissertation is to set up a new research from the perspectives of iconology and on the basis of icon reality study． At the beginning of the dissertation the pre——iconography of Tantou New Year painting is described and interpreted in detail in order to reveal the forming mechanism and mode of its icon and meaning．Then the correlation and contrast between signs and meanings of Tantou New Year painting are concerned． Only when the figure design technique of Tantou New Year painting i S found，the feature and type of i ts color and scheme i s found，can the symbol ic representations of the icon be found．Last the author probes into the value of Tantou New Year painting and