意象油画的学习与创作.pdf

摘 要 意象油画的演绎和形成，是我国油画工作者在学习西方油画方式后，融入了 中国传统绘画思想，是具有中国特色文化精神的一种再创造。这也是中国油画家 在绘画过程中不断深入探索与创作，将理论与实践相结合，由此孕育而生具有中 国情愫的作品。本文将从以下几个部分来阐述对中国意象油画的学习以及对笔者 创作的影响。第一部分：以吴大羽、吴冠中和赵开坤为例，列举了这三位具有意 象表现特色的油画家，分别阐述了他们油画创作的特点。第二部分：从地域文化 因素和中国传统绘画影响等方面来分析，了解他们三位画家如何受其影响，形成 具有自身个性油画语言的一种可能性。第三部分：通过前文对具有意象性的绘画 语言的认识来简述对笔者创作的影响。 关键词：意象；中国传统绘画；绘画语言 I Abstract The interpretation and formation ofimage oilpainting isakind ofrecreation with Chinese characteristics and cultural spirit, which is a combination of Chinese traditional painting thoughts and Western oil painting methods. This is also a work with Chinese feelings that Chinese oil painters constantly explore and create in the process of painting and combine theory with practice. This paper will elaborate the study of Chinese image oilpainting and itsinfluence on the authors creation from the followingparts.The first part:Taking Wu Dayu,Wu Guanzhong and Zhao Kaikun as examples, lists the three oil painters with image performance characteristics, and expounds the characteristics of their oil painting creation. The second part: from the regional and cultural factors and the influence of traditional Chinese painting, to understandhow thethreepainters are affectedby it,forming apossibility oftheir own personalized oilpainting language.Thethirdpart:through thepreviousunderstanding of the image of the painting language to briefly describe the impact on the authors creation. Keywords:image;Chinesetraditionalpainting;paintinglanguage II 目 录 中文摘要Ⅰ 英文摘要Ⅱ 目 录Ⅲ 引 言1 第一章 中国油画有意象意味的几位画家2 （一）吴大羽有意象表现性意味的几幅绘画作品2 1.用色与表现2 2.表现用笔4 （二）吴冠中有意象表现意味的绘画作品5 1.用“意”构图5 2.用“意”造型6 （三）赵开坤有意象表现手法表现的一些作品7 1.赵开坤的绘画色彩7 2.写意性的笔触8 第二章 意象表现背后的文化思考10