形式与传播——当代中国水彩画发展成因分析.pdf

摘 要 水彩画自明末清初传入我国已有数百年历史，受到我国千百年来积存的传统 文明熏陶，与中国传统文化与民族精神紧密结合，并以其通透、亮丽的表现形式 在中国受到广大艺术家们的喜好。 随着时代的推移，水彩紧跟当代环境的发展需要。从20世纪中叶开始，水 彩画风格由最初的单一性演变成多样性，绘画目的由单纯服务大众转变成体现艺 术家展现自身特色，表达自我情感，在共性与个性的相互转化中形成多元化魅力。 其艺术形式与风格特色受到了越来越多学者的重视与认可，已逐步脱离“小品画” 束缚，在当代中国绘画领域中有了独树一帜的地位。 本文以“发展”为线索，探究当下各国在艺术方面不断交流，艺术教育不断 成熟，艺术传播不断便利的 “新环境”下，中国水彩画在当代发展的主要成因， 其中包括中西绘画方式的有机融合，其不同时期产生的风格面貌，以及在当下发 展与传播的时代特色，并结合当代中国水彩画发展现状进行分析，以客观审视的 角度提出建议，进而探讨中国水彩画未来发展取向等问题。 关键词：当代，中国水彩画，表现形式，传播方式，发展成因 I Abstract Watercolor painting has been introduced into China for hundreds of years, from late Ming Dynasty to early Qing Dynasty. It has been influenced by the traditional civilization accumulated in China for thousands of years. Watercolor painting representsboth traditional Chinese culture and national spirit, and it is likedby artists in Chinawith itstransparent andbrightuniqueformsofexpression. As time goes by, watercolor has closely followed the development needs of the contemporary environment. Since the middle of the 20th century, the style of watercolors has evolved from the original unity to diversity.The purpose of painting changed from simply serving the public to embodying artists to show their own characteristics, express their emotions, and form diversity in the mutual transformation of commonalities and personalities. Its artistic form and style characteristicshavebeen noticed andrecognizedby more andmore scholars, andthey have gradually got rid of the shackles of small sketches，Has a unique position in thefieldofChinesecontemporarypainting. Based on the clue of development, this paper explores the main causes of the contemporary development of Chinese watercolor under the new environment of continuous exchanges in art, continuous maturity of art education and continuous convenience of art communication. It includes the sty