“陶诗意象”构建的地域性景观研究——以庐山桃花源景区设计为例.pdf

摘 要 在全球一体化的总趋势下，对于地域性景观的研究是为了发掘地域文化内涵 的缺失与遗漏，从而构建个性鲜明、别具一格的文化景观。景观中历史文化的元 素内涵决定了地域性对于景观设计的意义，承载着文化的景观特征与地域不可分 割。笔者试图以“陶诗意象”之形塑为对象，从地域性自然资源、历史文化等方 面来思考文化共相中的个性表达。以庐山桃花源景区为研究对象，通过对地域性、 文化景观、景观意象的深入分析，梳理景区的历史文脉与景观元素，对地域性景 观的文化要素进行提炼、重构，探索文化与景观的内在联系，从景观文化要素与 景观空间共同形成的交融层面上分析陶诗意象构建的文化景观，提取陶诗意象中 的文化元素 “幽、朴、真、适”作为景区设计的文化内涵。依据地域性景观要素 的指示来完成对场地的改造，通过地域性景观设计体现自然与文化相融合的途 径。在广度与深度上理解陶诗意象所构建的地域性文化，进而再对庐山桃花源景 区的地域性景观设计提出的背景、内涵、特点、方法等方面做了详细阐述。通过 本次研究，笔者旨在能为当下与地域性景观的相关研究提供一定的参照系。 关键词：陶诗意象；地域性景观；文化景观；庐山桃花源 I Abstract Under the general trend of global integration, the study of regional landscape is to explore the lack and omission of regional cultural connotation, so as to build a distinctive and unique cultural landscape. The connotation of historical and cultural elements in landscape determines the significance of regionalism to landscape design, and the landscape features of culture and region are inseparable. The author tries to take the shape of the image of tao poetry as the object to think about the personality expression in the cultural common phase from the regional natural resources, historical culture and other aspects. In lushan mountain peach garden scenic area as the research object, through the detailed analysis of the regional, cultural landscape, landscape image, combing the scenic spot of historical context and landscape elements, on the cultural elements of regional landscape in refining, refactoring, explore the internal relation of culture and landscape, the landscape cultural elements and landscape space together form a blend of level analysis tao poem image build cultural landscape, extract the cultural elements in the tao poetry imagery quiet, park, the true, the optimal as the cultural intension of scenic spot design. According to the instruction of regional landscape elements to complete the transform