分析王建中钢琴作品《云南民歌五首》与《组曲》的“变”与“不变”——杨雪娇毕业音乐会设计.pdf

摘 要 本篇文章主要以王建中《云南民歌五首》与《组曲》两首不同创作时期的作 品作为研究对象。第一章主要介绍了中国钢琴音乐发展背景下，王建中的创作发 展脉络。第二章将两首乐曲中的每一首分别进行相对全面的音乐分析。第三章从以 结构布局、调性比较、五声的倾向性、音响的模仿探索、和声的运用等方面做了 进一步的创作技法的提炼。第四章将两首乐曲的演奏进行分析比较，将旋律线 条、节奏把握、内心音乐塑造、民族性演绎作为探究的四个方向。通过从创作与演 奏研究的相互渗透中寻找出王建中作品的发展轨迹，归纳王建中创作的共性与个 性的内在涵义，力求进一步挖掘中国钢琴音乐发展民族性的深刻内涵。 关键词：五声调式，十二音序列，中国风格，民族性，意境 II Abstract This paper researched Wang Jianzhongs two piano works in different periods, as we know the piano music five Yunnan Folk Songs and Suite. Under the background of Chinese piano music’s development, Chapter 1 introduced the creation history of Wang Jianzhongs piano compositions. Chapter 2 made a comprehensive music analysis of each movement of the two works. Chapter 3 generalized a conclusion of the composing techniques of two works, from structure layout, tonality comparison, pentatonic tendency, sound imitation and harmony application. Chapter 4 compared performance skills of two works, from melody lines, rhythm grasp, inner music shaping and national interpretation. Through the research on creation and performance, this paper tried to find out the development track and the internal meaning of the commonness and personality of Wang Jianzhongs works, and strived to clarify the profound connotation of the national development of Chinese piano music. Key Words: Five tone mode, Twelve tone sequence, Chinese style, Nationality, Artistic Conception III 目 录 摘要 ⅱ Abstract ⅲ 一、毕业音乐会曲目 1 二、毕业音乐会曲目综述 3 三、分析王建中钢琴作品《云南民歌五首》与《组曲》的 “变”与 “不变”. 4 （一）概述王建中钢琴作品的创作4 （二）《云南民歌五首》与《组曲》音乐简析7 1. 《云南民歌五首》7 2. 《组曲》9 （三）《云南民歌五首》与《组曲》