赵左山水画艺术风格研究.pdf

目 录 中 文 摘 要 I ABSTRACT II 第一部分 毕业创作选题与现实方案 1 1.1论文选题的目的和意义 1 1.2本领域相关研究动态分析 1 1.3毕业创作方案及成果 1 第二部分 赵左山水画艺术风格研究5 2.1 赵左生平 5 2.1.1赵左生平简介 5 2.1.2赵左与 “苏松派” 5 2.2 赵左山水画师承及山水画风格特征 6 2.2.1赵左山水画师承 6 2.2.2赵左山水画风格 9 2.3 赵左山水画对我创作的影响 12 2.3.1笔墨秀雅 烟云生动 12 2.3.2烘染得法 设色雅致 14 2.3.3蒙养三昧 取法乎上 16 结 语 18 参考文献 19 攻读学位期间取得的研究成果 20 致 谢21 个人简况及联系方式22 承 诺 书 23 学位论文使用授权声明 24 Contents Chinese abstract I ABSTRACTII The first part is topic selection and realistic scheme 1 of graduation creation1 1.1The purpose and significance of the selected topic 1 1.2Dynamic Analysis of Relevant Research inthis Field1 1.3Graduation Creation Plan and Results 1 The second part of Zhao Zuos landscape painting art style research 5 2.1Zhao Zuos Life 5 2.1.1Zhao Zuos Life Profile 5 2.1.2Zhao Zuo and Susong Sect 5 2.2 Zhao Zuos Landscape Painter and Landscape Painting Style Features6 2.2.1Zhao Zuo Landscape Painter Inherited6 2.2.2Zhao Zuos Landscape Painting Style 9 2.3 Influence of Zhao Zuos Landscape Painting on My Creation 12 2.3.1 Ink and Ink beautiful and elegant Clouds Vivid 12 2.3.2 Elegant color design by baking and dyeing 14 2.3.3The method of obtaining Mongolian samadhi is almost the same as that of16 Conclusion 18 Reference 19 Research achievements during degree studies 20 Thanks21 Personal Profile and Contact Information 22 Letter of Commitment 23 Statement on Authorization to Use Academic Thesis 24 中 文 摘 要 明朝初期在较长的一段时期内，一直占主导地位的“院体”和 “浙派”比较兴 盛。这种状况一直到明朝中期，伴随着经济的发展和文人们有了对个性的追求，特 别是在苏州“吴门画派”的崛起，继承和发展元人画精神的传统文人