论动画影视分析的美学价值(On the aesthetic value of animated film and television analysis).pdf

论动画影视分析的美学价值（On the aesthetic value of animated film and television analysis ） On the aesthetic value of animated film analysis As Eagleton in criticism and ideology pointed out that the artistic text is not a closed organic body, but a dynamic process of ideographic ideology and open of the. - Introduction Chinas accession to the WTO will create a new page in the history of animated films. If the last century in 80sand 90s, Chinese film from the field of aesthetics and art language the first step of the modernization of the first step, then today, the pace will be in the film and television system, economic system, science and technology system, the depth of field to a higher level continued to move. Animation is a film type that can not be ignored. It is one of the four kinds of films. The world is known as the animation, the English called cartoons (cartoon), is the main use of painting form characters and the story of the film, China called it art film, refers to the assembly, cartoon puppet film paper-cut pieces etc.. Because of its uniqueness in production and Technology (non character play, high difficulty hypothesis), it has its unique film language and artistic characteristics. The artistic characteristics of animated films determine that their aesthetic values have the same artistic characteristics. The first is the high hypothesis. The high hypothesis is one of the basic characteristics of animation. Animated movies and live action films are very different from reality. It is essentially different from the traditional sense of the feature film. The traditional audio-visual elements in animation have undergone some kind of deformation. Also have a psychological effect, in particular the expectation such as childish, bizarre plot themes, characters exaggerated. In Barzuns long lens theory, photography is different from painting, and its uniqueness lies in its essential objectivity. Animatedfilms, on the