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2020届成都市明成学校高三英语二模试卷及答案解析--第1页
2020届成都市明成学校高三英语二模试卷及答案解析
第一部分 阅读(共两节,满分 40分)
第一节(共 15小题;每小题 2分,满分 30 分)
阅读下列短文,从每题所给的A 、B、C、D 四个选项中选出最佳选项
A
In his 402nd anniversary year, Shakespeare is still rightly celebrated as a great language master and writer.
But he was not the only great master of play writing to die in 1616, and he is certainly not the only writer to have
left a lasting influence on theater.
While less known worldwide, Tang Xianzu is considered one of Chinas greatest playwrights and is highly
spoken of in that country of ancient literary and dramatic traditions.
Tang was born in 1550 inLinchuan,Jiangxiprovince. Unlike Shakespeares large body of plays,poems and
sonnets (十四行诗), Tang wrote only four major plays: The Purple Hairpin, Peony Pavilion ( 《牡丹亭》), A Dream
under the Southern bough, and Dream of Handan. The latter three were constructed around a dream narrative, a
way through which Tang unlocked the emotional dimension of human desires and ambitions and explored human
nature beyond the social and political limits of that time.
Similar to Shakespeare, Tangs success rode the wave of a renaissance (复兴) in theater as an artistic practice.
As in ShakespearesEngland, Tangs works became hugely popular inChinatoo. During TangsChina, his plays were
enjoyed performed, and changed. Kunqu Opera, a form of musical drama, spread from southernChinato the whole
nation and became a symbol of Chinese culture. Combining northern tune and southern music, kunqu Opera was
known for its poetic language, music, dance movements and gestures. Tangs works benefited greatly from the
popularity of kunqu Opera, and his plays are considered classics of kunqu Opera.
While Tang and Shakespeare lived in a world away from each other, there are many things they
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